Marge Simpson, Blue-Haired Housewife: De?ning Domesticity on The Simpsons JESSAMYN NEUHAUS M ORE THAN TWENTY SEASONS after ITS innovation AS A SHORT ON THE Tracy Ullman fate in 1989, pundits, politicians, scholars, journalists, and critics continue to discuss and debate the meaning and relevancy of The Simpsons to American society. For academics and educators, the show offers an especially dense pop civilisation text, excite articles and anthologies examining The Simpsons in light of American religious living, the delegation of oddity in cartoons, and the use of pop last in the classroom, among many other topics (Dennis; Frank; Henry The Whole spheres G one and only(a) Gay; Hobbs; Kristiansen). Philosophers and literary theorists in crabbed argon intrigued by the quintessentially postmodern self-aware form and heart of The Simpsons and the questions almost identity, spectatorship, and consumer culture it raises (Alberti; Bybee and Overbeck; Glynn; Henry The Triu mph of everyday goal; Herron; hull; Irwin et al.; Ott; Parisi). Simpsons observers frequently note that this TV show begs one of the inherent questions in cultural studies: can pop culture incessantly provide a site of individual or joint resistance or must it always ultimately travel in the interests of the capitalist dominant ideology?

Is The Simpsons a lifelike satire of virtually every cherished American apologue about public and private life, offering dissatis?ed Americans the prospect to critically re?ect on modern issues (Turner 435)? Or is it simply another TV show make bullion for the Fox Networ k? Is The Simpsons an empty, cynical, even n! ihilistic watch of the world, lulling its viewing audience into laughing hopelessly at the witless futility of The Journal of Popular Culture, Vol. 43, No. 4, 2010 r 2010, Wiley Periodicals, Inc. 761 762 Jessamyn Neuhaus contemporary life (Jones 267; Spangler 14)? More speci?cally, to what finale does The Simpsons critique and ridicule...If you want to get a full essay, methodicalness it on our website:
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